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Zola is a Christian. Walking to the art museum one day, she sees an anti-Christian protest that has been organized by a group of angry atheists. Terror management theory suggests that while at the art museum: Zola will begin to feel deeply depressed. Zola will decide that she wants to become an artist and gain symbolic rather than literal immortality. Zola may be more likely to see death-related images in the art, even if they aren’t obvious. Zola will feel a sense of uncertainty about her future. |